free to say
We must tell the truth about evil conditions to those for whom the conditions are worst, and we must also learn the truth from them. We must address not only people who hold certain views, but people who, because of their situation, should hold these views. — Bertolt Brecht.
I do not think it was a coincidence, misadventure, accident (what have you) that with the rise of poetry that sought to deconstruct they very language we used to warn each other of impending dangers in the 1990s1 we witnessed the rise of a very powerful evangelical government here in the United States and that we now find ourselves with an active military in the far corners of the world, in effect, our powers are being used for ill and not good.
Of course modern American poetry did not play a hand in that; that is the whole point. We are nation of writers who no longer answer to anything (if you dismantle your own language how will you be heard?) and thus do not affect a single thing. 9/11 proved that. Sure, my friends and colleagues who belong to Poets Against War and other similar organizations might have boycotted a reading or so at the White House but it didn't stop the tanks from rolling out, the bombs from falling. I say this because I am a member of that organization and I too recognize the limitations of my own art.
But last week I came upon this article in the New York Times (Saturday, December 17) and least we forget that language is important and that people are still being executed over words, that not everyone in this grand global village of artists, writers and poets are free to say anything they want, least we forget that when you dismantle your own language you will not be heard, I ask you reflect on this. Our poetry might be good at witnessing other people's dire lives, but how good are we at addressing who Brecht calls: " [the] people who, because of their situation, should hold these views" — I mean by that, our own collective of modern American poets.
Turks Defer Trial of Novelist Who Cited Armenian Deaths
ISTANBUL, Dec. 16 - A Turkish court put off the trial of a prominent novelist on Friday after a brief hearing, giving the government until Feb. 7 to decide whether to go ahead with criminal proceedings against him. The charge involves his mentioning the killing of a million Armenians by the Turks in 1915 when he gave a magazine interview, in which he also said 30,000 Kurds had been killed since the late 1980's.
Angry nationalists booed the bestselling writer, Orhan Pamuk, and jostled the police as they escorted him into the packed courthouse, where the proceedings were monitored by observers from the European Union, which Turkey hopes to join in coming years …
"Dragging out cases of thought crimes which shouldn't be begun in the first place and starting new ones are not good for Turkey, for our democracy," [Pamuk] said. He remains free but could face a jail term of six months to three years if convicted.
Mr. Pamuk is accused of "insulting Turkish identity" in the interview last February in Das Magazin, a Swiss publication. He was quoted as saying the mass killing of Armenians by the Ottoman Empire in 1915 and the deaths of the Kurds in Turkish operations against the separatist group P.K.K. in the 1980's were still forbidden subjects in Turkey …
Article 301 of the Turkish penal code, revised last summer as part of Turkey's efforts to meet the legal and economic standards required to join the European Union, still criminalizes public comments that "denigrate Turkishness" or criticize the state, the army or the founder of the republic, Ataturk. Nearly 60 intellectuals have been charged under it …
[An] European Parliament member at the trial, Camiel Eurlings of the Netherlands, said, "If Turkey wants to continue toward the E.U., and I hope it will, then really freedom of expression is a fundamental necessity."
- "We want the Bourgeoisie to be Uncomfortable with this Lack of Narrative, this Fragmentation of Verse, this Deconstruction of the Sanctioned Configuration of Language," one Language Manifesto I found on-line read. It is true, we are uncomfortable but I see it as a lack of comfort akin to finding the cook has dismantled the ship and the flood waters are rising. That too, is problematic. [back]
December 24th, 2005 at 6:25 pm
If you are not already familiar with the following poet, you MUST introduce yourself to Brian Turner, a former soldier in Iraq who just published a book called Here, Bullet. Check out the most recent edition of The Georgia Review for several recently published poems. In the tradition of Wilfred Owen, his frontline poetry is stunning, and a testament to poetry’s ablility to sway opinion, particularly when it is written from the inside.
I enjoy your blog; join us for our holiday poetry bash at:
www.plightoftroubadour.blogspot.com
Best wishes,
David HG
December 24th, 2005 at 7:42 pm
Dear David ~
Thank you so much! I have certainly heard of Brian Turner; enough for me to put “Here, Bullet” on my wish list. Let us see if I was good enough for Saint Nick to surprise me tomorrow morning (ah, celebrations … one if never too old for celebrations!) and if not then I am sure I can get the book through inter-library loan.
Have a wonderful holiday poetry bash and I hope all is well with you.
Zachary
December 26th, 2005 at 5:09 pm
Zachary, your blog makes me uncomfortable in that you bring up issue so essential to talk about, it’s hard to talk about them. Keep it up, and best.
December 27th, 2005 at 9:59 am
Thank you very much, I appricate how you feel about this this. I always find conversations about something so broad and general as “poetry” a bit daunting myself, since everyone brings to the table different ideas and views on what poetry is and how it should function. But still …
I am just happy to live in a time when there are so many different voices in modern poetry, that we can have conversations and disagreements among ourselves, that freedom to disagree is still a choice. Cheers!