Archive for December, 2006

a pretty piece of flesh, i

Tuesday, December 19th, 2006





"spirit of the high desert" ZJC (2006)

"… I was Brando — I was Dean.
Blaspheming blue-jeaned booted baby boy –
Oh, how I made them turn their heads!"

– from In Delaware, Loudon Wainright III

Of late, there have been certain people who have exhausted me. It takes a lot of energy to be friends with those who simply want to take and rarely give. I wish I had my own motorcycle to ride off on, while a deep male voice over cries, "a howling hellcat humping a hot steel hog on a roaring rampage of revenge" (the movie promo for Bury Me An Angel). But motorcycle thrill rides are a thing of the past for me. Maybe at one time Brando could have pulled it off, but not now.

Brando! Before Marlon Brando began to sag, long before he appeared in The Godfather, he was the embodiment of all teenaged ferocity, all leather jacket and baby face rage and machismo and the sad thing is none of us can even see that. It is interesting to see people's reactions, or their lack of understanding, now that too much has happened, too many bad movies, too many images of a bloated, slug-white body playing mockeries of himself. But there must have been a time, a long time ago, when local country girl Kathie asked the leader of the Black Rebels in the movie The Wild One (1953) "What are you rebelling against, Johnny?" and he answered in his trademark drawl, "what have you got?" and made it sound real.

How do you rebel when everyone you know is a self-conscious rebel?1 Now, of course, the whole concept of "teenage rebellion" (and everything that represents) is so cliched in our culture that I cannot watch a movie like The Cycle Savages or She-Devils on Wheels and not giggle. "Sure, guys, sure … keep slouching in a corner, you're all doing just fine."

So maybe it isn't a motorcycle I want to ride off on, but a desert caravan? Maybe take one of those Saharan camel trains and camp out under the terrible full moon by myself on a wind-swept sand dune, call the lonely spirits of the wilderness to me, Lilith and all her children, just so I can have a good conversation for once. Just so I can listen to a friend's woe and know it is genuine, "yeah, I say, "eternal damnation is a bummer, yeah!" It's time I start consorting with people who will take a little more interest in my affairs. I like that word, "consort." At one point in Romeo and Juliet Tybalt slanders Mercutio by telling him "Mercutio, thou consortest with Romeo" (3.I.39) which causes Mercutio to explode into rage. To get the jest Shakespeare was playing off of requires knowing that "consort" means both to "keep company with" but was an ancient slang term to also imply "having carnal relations with." I think here it can mean either.

I have been consorting with the desert's
demons, things of air, lately. I know their
tastes, their humors and woes. Let the experts
scoff at these pale dreams, figments borne on air,
laughter at the eye's corner. Asleep I
am more grand than any phantasy. They
come; a few at a time, across sand, sky,
dune and under moon. They please me, they lay
down by my body. Passion is in birds'
breath, bat's wing; not in another lover's
words. Words! I am sick of all these words! True
delight is not a single word but herds
of night ghasts. Go. I'm the last of Ben Hur's
blood kin and I have no more use for you.


  1. I was in high school at the end of the Reagan era and it was a time, sort of like now, when you could buy every punk item you ever wanted at the local mall. What I remember is that the truly twitchy kids — the unpopular rebels, nonconformists no one ever "got," mavericks filled with hate — were the ones who came to school in ties and voted the Republican ticket. In a world where everyone wore black, it was the Neo-Cons that were the truly despised. [back]

eye of night

Friday, December 15th, 2006





"spirit shark (drowning in nets)" ZJC (2006)

My dream shark use to visit me. It was always during a nightmare, usually involving me drowning in some rather painful way. Now she is gone. Odd.

I.

At night wrecked against
poor skies I bestow my body's
drugged sludge all my
matter blown loose,
as the smell of drowning
impregnates the banisters,
the hallway, these moorings,
as fishing-nets tangle and
all the salt that fills my
tongue crusts the world.

II.

Without doubt, this is hard work.
Each night the threads are picked
off my blue water-logged wrists,
the fishing ropes removed. Let
these scabs slide off my body
like little eyelets. You call her
ugly, you call her bitter,
the nightmare continuing
all day and I keep calling,
I have called and the deep
one, she of the large silence,
her bite like cassava, a hint
of the sea's branches and
maritime's bird, returns to
my fall. I am always
falling, the eyes of the night.

bodies, mysteries and beyond

Tuesday, December 12th, 2006





"afrekete swimming with sharks" ZJC (2006)

When I try to tell other people of my reoccurring nightmare it usually does not have the same impact or reaction that it does with me; waking in the dead of night, sweating and restless, my mind a dull ache of whirl. The German poet Johann Wolfgang Goethe once wrote, “Art is the revelation of the secret laws of nature, which, without it, would remain forever hidden” (Van, 13) Yes, these “secret laws of nature” are important … but they change as we change Nature. The wild woods of Germany's Black Forest are gone. The deep regions of the ocean are being fished empty. There are no more fresh bodies of water in America unpolluted from factory run-off, industry waste, city sewage. That “pure, sweet element” Thoreau bragged about is no more.

To talk about my nightmare is to talk about the absence of what use to visit me. For months, while living in Las Vegas, I dreamed about a shark; a pregnant Great White. My totem. Hesiod said, “In the golden age the gods, robed in air, walked among men.” They also swam. They are a rare creature in a world almost totally misunderstood by humans. They are a life force that, for the most of us, not one of us will ever encountered besides in movies (bad movies at that) and books (even worse), or if we have been blessed by contact it was the briefest of glances, a light touch at best; still, everyone has an opinion about them. I speak of the gods right now. But this spirit-shark (it must have been a ghost since we are in the process of destroying all last large predatory fish in the seas) stayed with me every night for nearly half a year. My dear friend Stephanie Dominique has asked me on many an occasion to move beyond sharks … I think I bored her to tears with my repetitive backchat … but how can you defuse an obsession? I could not then and cannot now.

Perhaps you have trouble understanding this? I am not Judaeo-Christian but 1 Corinthians 2:7 reads, “but we speak the wisdom of God in a mystery.” That makes sense to me. And now that fiery presence is gone so I wake up at night both terrified and fretful. There is no more shark in my dreams for there is no more life in my dream-oceans; they are empty and vast and dead. I hated Rimbrandt's painting Evangelist Matthew (1661) not for the subject matter but because Old Man Matthew was still getting his boy Muse whispering in his ear. I was jealous! Years ago, back when only the erotic impulse drove me (you would've hated me then, I think), my Muse was the Other's body and there are bodies everywhere. How can you not tremble in the presence of such beauty? Kakuzo Okakura wrote, “in order to understand a masterpiece you must bow yourself low before it and await with baited breath its least utterance” (ibid., 151) … of the many bodies I bowed before (and as a beta male I did a lot of bowing), sadly, few actually uttered anything useful. Still, hustling (if that is even the right word) — the drive for money and food and comfort — filled my verse as I attempted to find significance; all this must mean something. It was a time when I thought everybody's body was a miracle. Perhaps they were.

Now I find I am neither the Boy in the painting nor the Master. The “the secret laws” remain hidden and my inspiration is neither Pleasure nor the Other. It is a frightful, empty dream I cannot seem to shake. It is the end of days, apocalypse, the end of the oceans. “It is all rather odd and jumbly,” as Winnie the Pooh once put it, “when I try to explain it to anyone.” Indeed.

Once I read that Rembrandt had nightmares too
I stopped hating him so much. Raise the dream
to find him. I have just one. Dream I knew
as it was. As it is. And the blaspheme
was me — that softly mews in the painting
of Old Matthew and the Boy — a femme
boy like me. Need cash? Bad. Now. They're paying
three Gs a day, under the table, them
is the going rate, she said. I'm a boy
just not The Boy. You're a Master just not
mine. Make this into a novel, a song.
Make this glow like the old man's fierce joy,
boy. I crave for an Eden in me. What
this is, I see, is vast, barren and wrong.

Work Cited

Van, James. Spirit and Art. Great Barrington, MA: Anthroposophic Press. (2001)

ghost girl — 1

Sunday, December 10th, 2006


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"ghost girl: yukiko hears the shamisen and remembers" ZJC (2006)

Tonight Tan Dun's Ghost Opera is on. There is an instrument in the background I cannot identify. It sounds like a Japanese shamisen; that three-stringed guitar you always see courtesans play in samurai films. I have listened to the CD several times already. The plunking of the chords is triggering something in me. A memory? A memory that isn't mine? Whose then?

I wonder if ghosts can leave their own memories all over you the way we leave finger prints? If all I had to give were memories I'd haunt you and leave only the best. I have many I wouldn't want to part with while I am alive … but when I am dead? who knows what use the dead really have for memories?

And after the first three
chords and Oh and
extraordinary so many
details hourly so many pax
and Ave Marias, markets
full of sunbeams and day
lilies, the milky clouds
of sperm, the broken
egg, your useless scrappy
body, let it burn. A shame
we're all sitting in evening's
back in back alley cafes.
The gibbering, the jabbering,
the heckling, the jekylling
of all the dead and all
the living scribbling out
ultimatums; reckoning
all they need.
Need.

Right. Tonight we dead
linger over your name
do not be flattered; you
made a poor bed mate.
Stop

now. No more ecstasy
laced with cocaine since
I never believed you
when you said it was
a bastard-dawn coming
down. No more of your
Sour Fathers, Hail Marys
or Glory Bees. Face
it, draw closer,
there is no magical
charm that will make
you any more this.

congo in oils

Saturday, December 9th, 2006





"congo in oils," ZJC (2006)

Congo Art and Jewelry, at Gone Wired Café on Michigan Avenue, Lansing, MI, helps support orphans in Kinshasa, D.R. Cong. They don't have a website yet but there are some amazing news articles explaining what they are trying to do. I am posting this anyway in the chance you might pass by and help. Cheers, everyone!

Orphans supported through sales of Congo Art & Jewelry. Please remember that fair trade shopping can make your holiday purchases more meaningful for you, your loved ones, and those in need! For more information contact Rev. Carol Richardson at (517) 204-3862.




Orphans at the House of Life Orphanage in Kinshasa, D.R. Congo